Mr. and Mrs. Linear Tracking Lives! and the little ones are on holiday in Seattle. Check back after Easter for more great tunes and talk.Lindsey Buckingham - Holiday Road (mp3)
Mr. and Mrs. Linear Tracking Lives! and the little ones are on holiday in Seattle. Check back after Easter for more great tunes and talk.
The underrated 'Cosi Fan Tutti Frutti,' from 1985, was the band's sixth album and the first since reuniting after breaking up in 1982. Difford and Tilbrook wrote the album and were backed by keyboardist Holland, drummer Gilson Lavis and bassist Keith Wilkinson. 'Cosi' sounds completely different than any other Squeeze album. This is not pure pop. It's a moody piece dominated by Wilkinson's bass lines and complex percussion by Lavis. Holland's keyboard arrangements were so intricate it took two people to play them on the road. I'm a big fan of the vibraphone, and the instrument is all over this album. 'Cosi' was not commercially successful. It reached No. 31 in the UK and No. 61 here in America. It spawned six singles, but only one of them charted ("Last Time Forever," No, 45 in the UK). Who cares? For me, this is Squeeze at its best. Here are a few tracks from my favorite Squeeze album.
Legendary rock photographer Jim Marshall has passed away at the age of 74. Can you imagine everything he saw? If you can't, buy this book or any of the four others that showcase his talent. When I think of his work, the images that instantly come to mind are of the final Beatles concert at Candlestick Park and the one above of Johnny Cash saluting the camera before going on at San Quentin prison, but he may be best known for chronicling the Monterey Pop and Woodstock music festivals. If you haven't seen any of these photos, you have certainly glanced at some of his more than 500 album covers. Mr. Marshall will be missed, but he has made it impossible to be forgotten. Well done.
Yesterday, Phoenix gave us a present of eight songs recorded live in Sydney. It looks to me like the zip file can no longer be downloaded, but here is the link in case you want to give it a go later. If you didn't get 'Live in Sydney,' in a nutshell, it was a performance of the 'Wolfgang Amadeus Phoenix' album and, yes, it sounds great. My point today is when I read the news the show was available, I actually hesitated for a moment. Did I really want to take a few minutes to download it?
Zooey Deschanel and M. Ward stopped by KCRW's 'Morning Becomes Eclectic' today for more than 35-minutes of live songs and small talk. You can listen to the entire program right here. This is not the typical unplugged in-studio performance you would expect from the duo. We get the benefit of a full band, and they sound incredible.
Since the 1960s, garage rock has never really gone away. From the same wave that gave us bands like the Plimsouls and Hoodoo Gurus came the completely underrated Fleshtones. I first heard of them because the band's leader, Peter Zaremba, hosted an I.R.S. Records-produced show on indie music called 'The Cutting Edge.' Along with 'The Young Ones,' these two programs made MTV must-watch television on Sunday nights back in the early-to-mid '80s. I was at an age when I was so enamoured with Zaremba's hair that I had to find out more about him. (I believe he still has those massive bangs, by the way, but now it's trimmed in silver.) That's when my fascination with the Fleshtones began.
Now, Raven has collected 26 of the band's best songs from their best era. 'It's Super Rock Time! - The I.R.S. Years 1980-1985' is 77 minutes of tunes from the 'Roman Gods,' Hexbreaker' and 'Speed Connection' albums, as well as assorted singles and tracks from EPs. Many of the songs have never been available on CD. If you are into Strokes, the Walkmen or any number of contemporary garage bands, check out this song below from the 'Children of Nuggets' box set that can also be found on 'It's Super Rock Time!' You won't be disappointed.
If you're counting at home (and you should be), 'Together,' the fifth album from the New Pornographers, hits the shelves in 41 days. Matador gave us a sneak listen of the track "Your Hands (Together)" exactly a month ago, and it sounded raucous and wonderful. Now, the label has released the first proper single on iTunes. The song is called "Crash Years," and it's one of those great Neko Case numbers you have been pining for. Sorry, but I'm not going to share this one. Please fork out the 99 cents. You won't be sorry. On the off chance you missed the viral release of "Your Hands (Together)," I will post that one again. Also keep in mind that tickets for the band's U.S. shows start going on sale later this week. Are they coming to your town?
John Cusak once said in an interview that "if you do one type of movie it makes it a lot easier to do other kinds of movies that you want to do. It's just reality." What he's saying is that he has to films like 'Must Love Dogs,' 'Serendipity' and '2012' if he's going to make art like 'Being John Malkovich,' 'High Fidelity' and 'The Grifters.' It's funny. I can't tell which group 'Hot Tub Time Machine' falls into. I wouldn't be surprised if, like 'The Hangover,' this film is a total stinker that the masses inexplicably think is Oscar worthy. But I digress.
The past couple of days, as music bloggers continue to remember Alex Chilton, I have seen a flurry of fantastic Big Star covers posted. I don't want to merely replicate the mp3s of others and, fortunately, I have not seen this gem anywhere. Epic Soundtracks is another great artist that passed away far before his time, and he is one of my favorites from the '90s. In fact, I dare say his album 'Rise Above' would make my Top 20 of that decade. This song, however, came from the last studio album before his death, the out-of-print 'Change My Life.' His label, Bar None, describes the LP as a "a strange blend of Harry Nilsson and Alex Chilton." So, it should not be surprising the record has a Chilton-penned bonus track that isn't listed on the back cover.
Last night while I was assembling a silly little mix of Irish rock for this blog, news surfaced that one of my musical heroes, Alex Chilton, had passed away. I didn't have the heart to write about it. Instead, I went to bed and thought about how I discovered his work. For those of a certain age, he was the guy from the Box Tops that had a monster hit with "The Letter" back in the '60s. For me (and probably quite a few of you if you were a teen in the '80s), I first heard his name with the Replacements tune "Alex Chilton" back on the 1987 album 'Pleased to Meet Me.' Unfortunately, I did not do my homework. I just liked the song.
I could care less that it's St. Patrick's Day. I'm not Irish. I don't go to bars. That pretty much it, right? This is, however, as good a day as any to celebrate some great music from Ireland. Now, I know I'm supposed to go all Celtic/folk/'Riverdance' on you this holiday, but that's not what this blog is about. Stomp your feet to these instead, Flatley. By the way, did you know that 'Riverdance' dude is from Chicago? Anyway, in no particular order, here are my top 10 Irish acts. Be safe out there... and enjoy the mix.
So, the 25th Annual Rock and Roll Hall of Fame Induction Ceremony was the other day. Here are the newest members:
In 2006, one of the real bright spots was the debut by North Carolina sextet Annuals. 'Be He Me' was full of experimental art pop and quirky harmonies. Critics and major labels loved it, too. As we have seen far too many times, the band signed with one of the big boys for their sophomore effort, and it tanked both critically and commercially. Well, Annuals are indie again, and we have a first listen at their new five-song EP, 'Sweet Sister,' out March 30. If "Loxtep" is any indication, Annuals have returned to the sound that made them a sensation just a few short years ago. The $8 asking price over at Amazon is a little steep for five songs, but it sounds like it will be worth it.
Somewhat buried in a strong week of new releases is 'The Last Place You'll Look' from We Were Promised Jetpacks. Out on Fat Cat Records, the five-song EP is a must for fans of the Scottish quartet. A few of the song titles may seem familiar from last year's acclaimed album 'These Four Walls' (my No. 9 album of 2009), but I can assure you these are very different versions. The band is often compared to the tight but spastic sounds of Futureheads, but they won't be this time. This collection is slow, lush and beautiful. You can give all of the tunes a listen here at Fat Cat.
At the beginning of the year I wrote about how excited I was to hear a new song from Austin-based Harlem. The tune, "Friendly Ghost" was our first listen from the album 'Hippies,' out April 6 on Matador. It was a brilliant piece of lo-fi power pop that has had me impatiently waiting for another preview. Finally, the label has given us a second listen. Although it's not quite as good as that first song, I'm far from disappointed. This is going to be a great LP. Check out "Gay Human Bones," and let me know what you think.
I have been meaning to write about Girls' cover of Skeeter Davis' "The End Of The World" since it was released as a B-side on their single "Morning Light" last month. The song has been available on Girls' 'Album' (my No. 2 record of 2009) for quite some time, but it was only as a bonus track. So, I'm assuming some of you out there have not heard it.
As for "The End Of The World," this 1963 single was the biggest hit in Davis' storied career. Not only did it nearly top the country chart (No. 2), but it almost duplicated that feat on the pop charts (No. 2), too. The song is one of those dramatic arrangements made famous by Lesley Gore, Petula Clark and others during the period. The strings are lush, and I'm glad Girls stayed true to the original. I prefer the toned down songs of Girls anyway, and this one couldn't be any different than the fuzzy guitar sound of the A-side, "Morning Light."
In the occasional series that has included geniuses such as Steve Lillywhite and the team of Langer & Winstanley, this time we take a listen to the production work of the great Nick Lowe. Whether it's his work as part of Brinsley Schwartz, Rockpile or as a solo artist, I have admired every turn in his career, including his role as producer.
For the past three decades, Manchester has brought us scores of great bands. Now, I must admit, last decade's output wasn't quite like the '80s and '90s, but Doves were one of Manchester's real bright spots in the '00s. Man, it's hard to believe 10 years have passed since Doves dazzled us with the debut 'Lost Souls.' Since then, we've had one other stellar album and a couple of other solid ones. So, what's next? A compilation, of course. Heavenly Recordings releases 'The Places Between' on May 5. If you are new to Doves, you may want to stick with the single disc version. It has 15 songs picked and sequenced by the band, and I have to say they did a pretty good job. One thing that bugs me is they included a new single. Ooh, I hate when bands put new music on a best of.
It has only been a week since I posted about new Robyn Hitchcock, but now I see he has properly announced his new album, 'Propellor Time,' will be out March 22 on Sartorial Records. I absolutely loved 'Goodnight Oslo.' It was No. 19 on my list of favorite albums of 2009. His backing band then, the Venus 3, returns for this one. That's Scott McCaughey (of Young Fresh Fellows) on bass, Bill Rieflin on drums (formerly of Ministry and Revolting Cocks) and Peter Buck (of R.E.M.) on 12 string and acoustic guitars. Other musicians who stopped by include Johnny Marr, John Paul Jones and Nick Lowe. You can pre-order it over at the Yep Roc store. Enjoy the brand-new video for "Ordinary Millionaire" below. This one was co-written with Lowe and has me really excited about the release.
The first song from the Apples In Stereo's 'Travellers in Space and Time' has hit the blogosphere and, for me, it's a bit of a head scratcher. If you're expecting power pop like 'Velocity of Sound,' you're going to be surprised. Our first clue should have been the title, "Dance Floor". It sounds a lot like more recent Of Montreal. That's not bad, exactly, but I don't think I would be happy with an entire album that sounds like this one.
Also, you may remember a couple of weeks ago I posted a new song from the Pipettes that I didn't like very much. Well, over at the band's MySpace page you can stream the first official single from the new album, "Stop the Music," as well as another song, "So I Say Goodbye" (out April 20 on Fortuna Pop). Both of these songs are much better than the earlier "Our Love Was Saved By Spacemen," but I think all three of these songs would be considered weak tracks when compared to anything on the first album. After listening to the latest Pipettes, all of a sudden that new Apples In Stereo song is sounding a lot better.