Q&A With Uwe Weigmann of Firestation Records

You need only look as far as my annual list of the best reissues to know nobody mines the UK indie-pop archives better than Berlin-based Firestation Records. They are the rare label that can get me to buy an album without ever hearing a note. I know it's been vetted by the best. By the best, I'm referring to Founder/Label Manager Uwe Weigmann. So far this year, Weigmann and his team has had me spinning the likes of the Apple Moths, Keen, Asia Fields and the Pressure Group. It's an exciting time right now as Firestation has a trio of releases hitting the shelves this Friday. Let's catch up with Weigmann to hear about new albums by the Siddeleys, Elephant Noise and the English McCoy, as well as some big news on 'the Sound of Leamington Spa' series.

Linear Tracking Lives: The original releases from the Siddeleys are rare, highly coveted and extremely expensive. Since the late '80s, there have been few reissues. In 2001, Matinée Recordings put together a terrific compilation featuring their singles and Peel Sessions. In 2015, Firestation did a very nice job with the "Sunshine Thuggery" 12". How will your upcoming release, 'Songs From the Sidings,' differ from these previous reissues?

Uwe Weigmann: 'Songs From The Sidings' partly contains demos which Johnny Johnson recorded with Torquil MacLeod of Reserve between 1985-1986. Apart from it you will find demo versions of classic tracks such as "What Went Wrong This Time?" or "Falling Off Of My Feet Again," which the band recorded as four piece in early 1986. The CD version contains liner notes by Johnny along with some rare band photos.



LTL: 'Songs From the Sidings' is not the only release you have coming out on Aug. 18, but the Siddeleys are certainly the best known. Can you tell us about the bands Elephant Noise and the English McCoy and the impending reissues that feature them?

Uwe: Both the English McCoy and Elephant Noise are faves of mine since the early '90s when I bought their records from the secondhand record shops in London. Their releases became ultra rare soon after. We already worked with Elephant Noise some years ago when we included one of their songs on the seventh part of 'the Sound Of Leamington Spa' series. It took years to locate the members of the English McCoy. I nearly gave up on it until the last year when members of the band get in touch with us via e-mail. I already had a tracklist in mind for the album but did some changes on it when I found out that there are even more recordings by them which were unknown to me before. There are still some cool songs by them which didn't made it onto the album.





LTL: What Firestation releases do you listen to with the most pride? Why?

Uwe: Of course, I have some personal faves. Without a doubt the most important release for me will always be FST 001, Bazooka Cain – Viele Grüsse. I have so many great memories of this release. Maybe it was the best time of my life when it came out in 1998. "Annahmeschluß" is one of the greatest songs ever written. I was also very proud to release records by some of my favourite bands or artists, such as Sensation, Andy Pawlak and the Bodines.

In recent years, the album by Skint & Demoralised was very important to me for various reasons. It was the last current indie-pop band I was in love with. Also, I will never stop raving about this record. I deeply regret now that we haven't released the bands third and also last album when it came out some years ago. I am also proud to have put together FST 100 - 'Still Mad At Me? 15 Years Firestation Records 1998-2013'. It took me a year or so to organise everything for it, put together the tracklist, write the liner notes, locate photos and so on. It was great fun! Another big fave of mine is "Listen" by SouLutions, a 7“ single we released three years ago together with our friends from Sundae Soul Recordings. The record was sold out within a day.

LTL: Many of the volumes in the the popular 'Sound of Leamington Spa; series are no longer available. Any chance we could see more editions? Could the previous volumes be brought back in print? On vinyl?

Uwe: Yes, unfortunately nearly all of them are no longer available. We just sold out FST 100 which included the seventh part of the series, so we only have copies left of volumes 1 and 6. We will not print the previous volumes again. Some years ago I wrote that I will not continue the series, but I changed my mind a while ago. There should be news on it by the end of the year.

LTL: 'The Sound Leamington Spa' series must have been so much work but a real labor of love, I'm sure. Just how hard was it to track down all of those obscure bands and songs? Do you have a particularly tough or unusual tale about any of your chases?

Uwe: Yeah, partially it was hard to track down some bands. It was relatively easy to put together part one. I wrote a fanzine back then and was in contact with some of the bands already before we compiled the first part. After the success of part one, it was obvious that we had to continue the series, so to track down more bands I wrote a lot of letters to old addresses which I found on the records or in fanzines from the past. I think I sent out more than 100. Some returned with the note "addressee unknown," but many bands got in touch after they received my letters. It was amazing! I tracked down the members of A Strange Desire after I found out that one of them wrote a reader's letter in Record Collector magazine. I wrote to the magazine, and they helped me to get in contact with the band. That was great!

Classic UK indie-pop from the 1980s and early 1990s was my biggest love back then. It was the greatest fun to compile the series. I became a bit tired about it when other labels tried to copy the series. That was one of the reasons why I stopped the series temporarily.

LTL: What '80s indie-pop band would you love to see become a part of the Firestation family? What is the one band you were most disappointed to see get away?

Uwe: Metro Trinity is the band whose back catalogue I always wanted to put out. They released my favourite indie-pop 12" single of all time. We're already worked with Jonny Male a couple of times when we released the first volume of 'the Sound Of Leamington Spa' and later the second album by Sensation. Unfortunately, most of the their recordings seems to be lost. We can't locate them. I already got in touch with a lot of people about it, but so far, no one could help on it. I will not give up on it. Someone out there must have those songs. I would love to reissue the "Episode Four" 12" single or put out the unreleased recordings by all-time faves such as the Painted Word, Fruits Of Passion or the Friday Club. Also, to release the "lost" second album by Del Amitri or a retrospective by Hello Sunset would be a dream come true.

There will be a lot of retrospective releases from us in the near future. Recently, I found out about a band from Liverpool which I never heard of before. Their songs are so amazing that I still can't believe that they never released any records when they were around in the 1980s. Hopefully, we can put out a compilation by them before the end of the year. Everyone who is in love with bands such as Aztec Camera, Prefab Sprout, Friends Again or the Bridge will love them. I am sure!

"Everyone who is in love with bands such as Aztec Camera, Prefab Sprout, Friends Again or the Bridge will love them." I don't know about you, but that warms the cockles of my heart. Can't wait for that one. Many thanks to Mr. Weigmann for taking the time to do this... and during such a busy week too. As my back and forth with Uwe wound down, I couldn't help but ask him about his mention of the Friday Club. Although I do have the 7", as some of you may recall, the 12" extended version of "Window Shopping" has been my most sought after piece of vinyl for as many years as I can remember. I told Uwe if he could find a way to reissue that one he would be my hero for life. Sounds like that could be a tall order. So, the search for my white whale continues...

To celebrate Firestation's imminent reissues, next time on these pages I will countdown my top 10 all-time favorite releases from the label. Stay tuned. In the meantime, don't forget to preorder your copies of the new albums from the Siddeleys, Elephant Noise and the English McCoy!

An Album Once More From the Granite Shore

If you're a regular, you no doubt remember me fawning over 'Once More From the Top' by the Granite Shore. It was my top album of 2015. If you factor in all of the love and care that went into the packaging, it's my favorite album of the decade. As our friends at Occultation Recordings wrote to this blog at the time, "[o]f course, from a 'business' point of view this is ludicrous. The album was recorded quickly so fairly cheaply and actually we spent more on the sleeve than on anything else. Then we added a 32-page booklet (that cost almost as much as recording) at no extra cost to purchasers. Hmm. Never quite got the hang of capitalism, did we?"

I have no idea what label founder and Granite Shore frontman Nick Halliwell has up his sleeve in terms of packaging for the band's forthcoming LP, 'Suspended Second,' but in terms of the music, I'm certainly drawn to this latest video. Phil Wilson of the June Brides, also a member of the Granite Shore, put together the clip for "Where Does the Sadness Come From?"



Halliwell decided to leave the narrative found on 'Once More From the Top' this time around. Occultation has described 'Suspended Second' as an angry pop record, and news of the day did much to shape its content. As writing began in spring 2016, Halliwell says, "Suddenly, we were overtaken by what felt like a national self-harming anxiety episode, which then went global." In other words, all of those hooks may get your toes tapping but will do little to hide the state of affairs. What more can you hope for from a pop album?

'Suspended Second' is expected to be officially released on or about Oct. 13, but the label says test pressings have already been approved and that the plant may be able to turn the album around quite quickly. Occultation is hopeful they may be able to begin selling 'Suspended Second' on their own site by the end of the month or early September. News of a deluxe edition should be announced soon. Stay tuned.

Wife's Not Away, But Scritti Politti Will Play!

I got a surprise gift in the post yesterday from one of our swell blogging pals. Can you guess which one? There is a very big hint in the photo above. Thanks for hanging on to that poster for 35 years, mystery blogger. Love it! It's going up in the music room, tout de suite. Now, for another opinion, I hand things over to Mrs. LTL. Spoiler alert: You are about to find out who sent the package...

Dear Mr. The Swede,
While I am touched by your thoughtfulness and generosity in sending my betrothed a vintage poster, I am equally revolted and repelled by the idea of resurrecting the Scritti Politti rotation in our household. For the love of Green, don't encourage Brian! Next he'll be bringing out his paisley collared shirts, buttoning them up to the top and digging through my fashion archives for garish brooches. I just CAN'T go back there! Of course, I am just having some fun with you. It is a lovely gesture, and I have a "perfect way" to honor the poster – it will be framed and proudly displayed... but only in HIS music room.
Cheers,
Mrs. LTL

Swede, your timing is impeccable. While on vacation a couple of weeks ago, a reader named Andrew left a comment on an old post about Scritti Politti. He asked if I had the 7-inch version of 'Songs to Remember'-era song "Jacques Derrida." I can help him with all three takes. It's a big favorite around here. By "around here," I guess I mean it's a big favorite of mine. Obviously, I'm not speaking for Mrs. LTL on this subject. Thanks again, Swede!

"Jacques Derrida" (7")
"Jacques Derrida" (12")
"Jacques Derrida" (Album)

Two Good Songs That Sound Great Together

The reason I enjoyed the following two songs back to back on mix tapes is obvious. In 1980, Malcolm McLaren convinced Matthew Ashman, David Barbarossa and Leigh Gorman to leave Adam and the Ants (or Antz, as they were known then) for his latest venture, Bow Wow Wow. Adam Ant, using much of the advice McLaren had given him as he was swiping his band, upped his game with the hugely popular album 'Kings of the Wild Frontier.'

At about the same time, Bow Wow Wow was putting out its first recording. McLaren, in one of his brilliant semi-failures, released the anthem "C·30 C·60 C·90 Go" as the first ever cassette single. Needless to say, EMI didn't get behind the ode to home taping, and the label wasn't real fond of the blank B-side either (another genius McLaren moment). Still, it was a hit with the NME crowd and, to this day, I think it works really well with "Antmusic." Both are anthems and fantastic singalongs, especially in the car. I think it's clear to say Ant won this opening bout with his old band. Only the re-release of "Imagine," following John Lennon's death, kept "Antmusic" from the top spot in the UK. "Dog Eat Dog" also went Top 10 that year. Bow Wow Wow would have to wait until 1982 and "Go Wild in the Country" to have such a moment.

Adam and the Ants - "Antmusic"
Bow Wow Wow - "C·30 C·60 C·90 Go"

Last Listen From a Distant Drive

Prolific would not be the best word to describe the frequency of posts in these parts since the LTL Family returned from the Southwest. I'll try to do better. This will conclude the vacation snapshots. I'm sure this is starting to feel like Grandpa's tired slideshow at the family reunion.

Our trip to the Utah-Nevada-Arizona corridor wouldn't have been complete without some time at the Grand Canyon, and that's where I'm taking you today. Mrs. LTL and I used to go to Arizona every year to catch our beloved Chicago Cubs during spring training. After the birth of our first child, we had this ridiculous notion our life wasn't going to change one bit, and we took him along to spring training when he was a year old. Needless to say, that marked the last time we caught the Cubs in Mesa. That also meant we hadn't been to the Grand Canyon in 13 years, and our kids had never been there. It's a picturesque setting that never gets old. As usual, these photos don't do the ol' place any justice.

Due to the excessive heat, there was a slight haze I had never dealt with since we always saw the Grand Canyon in March when there would be snow. Still, my boys didn't know any better, and they enjoyed the different shades of orange and red that made up the rocky terrain.

We have plenty of elk here in the Pacific Northwest, but their relatives around the Grand Canyon were much much bigger. This fella was enjoying his leafy dinner at sunset.

As I mentioned in the previous two posts, I had many hours on the road to listen to the mix of 2017 songs I put together just before I left. The trip from Las Vegas to the Grand Canyon was about four hours (one way!). Quite a few albums got a good airing, including two from Australia. I highly recommend 'Living Right' by Glaciers and 'Benefits of Solitude' by Dag. Both groups obviously grew up listening to the right bands from their home country. Like many of you, I have fallen hard for the charms of Sacred Paws, too. Can't get enough of those horns! The new single from the Fireworks is bound to be near the top of my songs of the year list. Beth Arzy from the Luxembourg Signal is fronting the band now, and I'm truly smitten.



As darkness set in on the vast highway, I put on slow burner 'Please Be Mine' by Molly Burch. It's an album I have had for quite a few months, but I believe the environment had something to do with me becoming completely taken by her sound this time around. You'll think of Dusty and Patsy and even Spector at times when the percussion kicks in. I never expected this right turn from our friends at Captured Tracks, but it has been most welcome.



I could go on and on, but that's what December is all about. OK, two more, then. I don't get a chance to go local too often, but Seattle's own Zebra Hunt is right up my alley. Lots of jangle and with a hint of that Australian scene I have been going on and on about since Chook Race, Community Radio and the Goon Sax came into my life last year. You're going to want to put latest album 'In Phrases' on your short list.



And now on to my home away from home. I do miss the Chicago scene (and Portillo's hot dogs!), and hearing 'Lost World' from Star Tropics has me thinking about the old days. As you must know by now, I'm mostly about '80s indie pop and all of the jangle that comes along with it. Star Tropics hearken back to that time but to a different branch of the tree. I have read the band is into the Sarah scene (there is even a song call "Another Sunny Day"), but what I have been hearing is New Order all over new album 'Lost World.' I guess it doesn't matter much what influenced their sound. I just know it's pushing my buttons.

More Songs For a Distant Drive

Did I mention our trip to the Southwest was a scorcher? I took this photo of the dashboard as we pulled into our hotel in Las Vegas after a long day of hiking and sightseeing. Note the time and temperature. The hottest day of all was when we ventured to Hoover Dam. We were ready to jump into Lake Mead when the mercury read 116 degrees! I have been to the Palm Desert a few times in my life, but I don't believe I have ever been in heat quite like that.

Seeing Hoover Dam was well worth the sweat and panting. I was filled with mixed emotions as I studied the beauty of the structure. It was built during the Great Depression, and I was fascinated by not just the mighty structure itself, but the beautiful art-deco details and finishes as well. Then your mind wanders to those that put themselves in harm's way and even died to complete the project. I couldn't help but wonder whether we would or even could build something this grand today. Here are a few more shots from that memorable day.

This has been a fantastic year for reissues and compilations, and I already have a solid top 10 with almost a half year to go. Here are a couple that got quite a bit of play while watching the odometer.


'Three Wishes: Part Time Punks Sessions' came out at the beginning of the year with little fanfare, and that's a real travesty. I mean, c'mon! This is the June Brides, 14 Iced Bears and Aberdeen recorded live from Los Angeles in 2011 by Rob Campanella of Brian Jonestown Massacre in what the Brides' Phil Wilson described as "the most rock 'n' roll day of my life." For indie-pop fans of a certain age, and you know who you are, hearing a new recording of 14 Iced Bears for the first time in 25 years should be enough to get you seeking this one out... along with that old anorak up in the attic.


Moving ahead a few years, if you have any recollection of German indie-pop label A Turntable Friend Records, then you know their stable of stars included the likes of Love Parade, the Apple Moths, the Claim, the Rileys, Boyracer and many more. I picked up 'The Test of Time' compilation at my local indie shop just before taking off on the trip, and I have never been happier to find this one in the bins because the shipping on this one would have been ridiculous. Forty tracks on three heavy pieces of vinyl housed in a dazzling tri-fold sleeve that includes an album-sized scrapbook of the label's history.

The packaging is nothing short of perfection. What a feast for the eyes. I especially love how you get a photo of the front and back sleeves of all the releases along with a comprehensive discography. There's just so much to look at while you're listening. 'The Test of Time' is a definite contender for compilation of the year! Here is a peek inside. Like those pictures from Hoover Dam, I wish I was able to take better photos because this doesn't really do the packaging justice, but here goes...

Back next time with one more go around of music and photos from the family vacation.

Music for a Distant Drive

The family unit is back from a terrific trip to the Southwest. There were few sing-a-longs like above, but there isn't much better for a music lover than hundreds of miles of road with little to do but catch up on recent releases. The vehicle we picked up in Las Vegas had satellite radio. So there was something for everyone in the car... for a while, anyway. Sooner or later, however, I was going to get out my iPod to listen to that killer comp of songs from the first half of 2017 I assembled just before we left. The next few posts will feature some favorite moments from that list.

This is a picture I took as we were leaving Zion National Park after a picturesque day of hiking. We stayed as long as we possibly could, but when the moon made its appearance, it was obvious we squeezed as much out of the day as we possibly could. Here are a couple of inspired covers that are sure to make my list of favorite songs come December. Cattle is a Japanese quartet (two fellas, two gals) that just missed making my top 10 albums list in 2015 with "Somehow Hear Songs." The new five-song EP "Slow Sailor" continues to float my boat with their beefy side of dreampop. You'll want to turn up this take of Ride's 1992 classic "Twisterella."

This is another shot from Zion, along the Narrows. This shady hike through the water was the perfect way to cool off. The temperature peaked at 106 degrees that day. Here's another cover that grabbed me on the drive. The Luxembourg Signal is a favorite that's had nothing but praise on these pages. In fact, only the Popguns kept the band's self-titled debut from topping my list of best albums in 2014. Shelflife recently released a new 7" by the Luxembourg Signal, and both sides of the "Laura Palmer" single are beautiful. There was a certain amount of risk in their faithful rendition of "Let's Make Some Plans" by Close Lobsters because the Wedding Present's version is already so well known, but there is plenty of room in the world for more Close Lobsters! We may hear from Beth Arzy's other band later in the week. More from my 2017 mix, along with more photos from the trip, next time.

Top Single in the Subway Organization Poll Is...

The votes are in, and I would call the winner of the best Subway Organization single a mild upset. Immediate thoughts went to Russian hackers, but is the Kremlin really filled with fans that wanted to make sure Edinburgh's finest got their moment some 32 years after the single hit the indie chart? Yes, the Subway Organization's very first single, the Shop Assistants' "All Day Long EP," also known as the "Shopping Parade EP," came out on top. Nearly half of all voters (48%) checked the box for Shop Assistants. The Flatmates, by far, got the most total votes, but the band's myriad of singles split voters. Still, "Shimmer" fared well and was clicked on 41% of all ballots. Going in, I would have bet on "Ask Johnny Dee" to take this thing, but then again, I voted for a different single from the Chesterf!elds. In case you're interested, here are my top 5 (in order). Thanks to all of you who participated.

My Ballot
The Flatmates - "I Could Be in Heaven"
The Chesterf!elds- "Completely and Utterly"
The Rosehips - "Room in Your Heart"
The Flatmates - "Shimmer"
Razorcuts - "Sorry to Embarrass You"

Complete Results of the Subway Organization Singles Poll
1. Shop Assistants - "All Day Long EP" (aka "Shopping Parade EP")
"All Day Long"
"Switzerland"
"All That Ever Mattered"
"It's Up to You"
2. The Flatmates - "Shimmer"
3. Soup Dragons - "Whole Wide World"
4. The Chesterf!elds - "Ask Johnny Dee"
5. Razorcuts - "Sorry to Embarrass You"
5. The Flatmates - "I Could Be in Heaven"
7. The Flatmates - "Happy All the Time"
8. Soup Dragons - "The Sun is in the Sky EP"
8. The Chesterf!elds - "Completely and Utterly"
8. The Rosehips - "Room in Your Heart"
11. The Chesterf!elds - "A Guitar in Your Bath EP"
12. Choo Choo Train - "Briar Rose"
12. The Flatmates - "Heaven Knows"
12. Choo Choo Train "High"
12. The Charlottes - "Love in the Emptiness"
16. Razorcuts - "Big Pink Cake"
16. The Flatmates - "You're Gonna Cry"
18. The Groove Farm - "Surfin Into Your Heart"
18. Korova Milk Bar - "Do It Again"
18. The Fastbacks - "Wrong Wrong Wrong"
21. Bubblegum Splash - "Splashdown EP"
21. Rodney Allen - "Circle Lone EP"
21. The Groove Farm - "Driving in Your Car"
21. The Fastbacks - "In the Winter"
25. The Clouds - "Tranquil"
25. The Rosehips - "I Shouldn't Have to Say"
25. The Groove Farm - "The Big Black Plastic Explosion"

Did You Vote for Your Favorite Subway Single?

My vacation is coming to an end. Last call. Polls close at 11:59PM on Sunday. For you indie-pop fanatics out there, here's a little hint on the proceedings. The photo above is taken from a single that has fared very well in exit polls. Do you recognize it? Vote below...

Here's Where Your Vote Really Counts!

By the time you read this the LTL family will be on its way to the sizzling states of Nevada, Utah and Arizona for hiking at Zion National Park and the Grand Canyon. In the meantime, in an attempt to keep things interesting on these pages, I cooked up a little poll for you indie-popsters to ponder. When you finish voting, feel free to participate in some exit polling via the comments section, and check back July 10th for what are sure to be riveting results.

A Video Tribute to June Miles-Kingston

Ever since those mammoth posts on Everything But the Girl last month, I have been digging into the music of the duo's band mates. June Miles-Kingston has certainly had an interesting career. Let's check out a few of the highlights:

With the Mo-Dettes in 1979. Best video of the bunch.


So many great clips of her time with the Fun Boy Three in '83. Check out their performance on "Razzmatazz" too. It's a keeper.


From 1984, here is June's one and only solo single.


On "The Old Grey Whistle Test" with Everything But the Girl in 1985...


Nice vocals from Microdisney's 1985 album 'The Clock Comes Down The Stairs'...


Lovely song from 1986 made even lovelier by June's vocals. Her ex-boyfriend, Joseph Hughes, was in the Lover Speaks.


One of two songs on Big Country's 1986 album 'The Seer' featuring June's voice. Perhaps she was overshadowed by Kate Bush's appearance on the title track. Well, not by me.


This 1989 duet with Jimmy Somerville is the the one for which she'll be remembered. No. 14 in the UK.


From more recent times, June sings and directs this video from the one-time member of the Jazz Butcher. From 2010.

Before We Say Goodbye to 'Cruel World'

Admittedly, while trying to illustrate how Elvis Costello may have saved a couple of songs from 'Goodbye Cruel World' by reworking them and giving them to other artists, I have been rough on his 1984 album. Let me tell you, it's no fun to speak ill of a hero. What's something I can say that's positive about the album? While proclaiming my affinity for Roy Orbison's "The Comedians" and Tracie's "(I Love You) When You Sleep," I hope I made it clear when you strip away the Langer/Winstanley production, the demos from this era, particularly the solo ones, prove the bones of fine (if not great, in some cases) songs were there. In the liner notes for the 1995 reissue, Costello writes that "the latest fad," the Yamaha DX7 synthesizer, "along with the veneer of Solid State recording... does more than anything else to 'datestamp' this record." I think that more or less sums it up. The demos are pretty clear evidence he wasn't originally shooting to sound like 1984, but that was the result.

When the album was finished but before it was released, Costello embarked on his first ever solo jaunt of America. Before 'Goodbye Cruel World' even hit the shelves, he had already "discovered some of the mistakes [he] made" and "began to rescue [his] newest songs from the fog." Here's a quick listen from that tour:

"Worthless Thing" (Live)"

Not at all bad, but I think the best moment from the "Goodbye Cruel World" era, however, was the B-side "Turning the Town Red," which appeared in most countries as the flip to "I Wanna Be Loved" and is most remembered in the UK as the theme to Costello pal Alan Beasdale's television series "Scully." We listened to that one on these pages in 2015, but it can't hurt to hear it again. A nice memory from your youth for many of you, I'm sure.

"Turning the Town Red"

In 1995, Costello had the honor of curating the Meltdown Festival on the South Bank. By all accounts, it was a fine bill that included Jeff Buckley, the Fairfield Four, the Re-Birth Brass Band, the Jazz Passengers and many more. Costello himself appeared on stage several times during the nine days, including a set where his voice and Bill Frisell's guitar complemented each other to perfection. To me, this performance is the best save of a song from 'Goodbye Cruel World.' Beautiful. Even if this album is Costello's worst, as even the artist himself hinted, the songs of 'Goodbye Cruel World' were not entirely worthless things.

Elvis Costello and Bill Frisell - "Love Field" (Live)