I'm an idiot. As much as I loved the Subway Organization, I didn't really get into the Groove Farm back in the day. I think it was b...

When I heard about the 30th anniversary re-recording of 'George Best,' I was suspicious of the entire endeavor. What I did find intr...

Oh, that Ian at Optic Nerve Recordings is such a tease! For those of us on his mailing list, he has been unveiling titles to whet our appet...

It's been rumored for what feels like forever. The Creeping Bent Organisation even went so far as to assign it a number (Bent 078) in th...

Pop Will Eat Itself never released even so much as a single on the Subway Organization, but they did appear on the label's first release...

The last of the Americans on Subway this week. Cowboy and Spin Girl were the boy-girl duo of Donna Esposito and Frank Bednash. A few of you ...

These are the liner notes culled from the 1992 Fierce Recordings release of 'EEC Punk Rock Mountain: A Sarah Bootleg.' Though the ...

For this second of back-to-back posts on the Wake, I was all set to do a compare and contrast between the Factory and Sarah eras. After a lo...

For the third week in a row, it's an American act in the Subway spotlight. Although there were but two brief releases from this Midweste...

To these ears, the Wake had many memorable moments during their years on Factory Records. The 1985 album 'Here Comes Everybody' shou...

Let's make a racket. Here are Fire Engines performing at Valentinos in their hometown of Edinburgh on Aug. 9, 1981. This show was record...

Here's another American band with a short-lived moment on the Subway Organization. Seattle's own Fastbacks signed with hometown labe...