tag:blogger.com,1999:blog-3815215641735446886.post3712750584302720312..comments2024-01-26T07:11:45.193-05:00Comments on Linear Tracking Lives!: A Couple of CowardsBrianhttp://www.blogger.com/profile/04321051045499549249noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-3815215641735446886.post-67781054751343048692018-03-23T15:57:50.211-04:002018-03-23T15:57:50.211-04:00"Almost Blue" was the chink in Costello&..."Almost Blue" was the chink in Costello's artistic armor. Of course, he bounced back brilliantly with "Imperial Bedroom" which was his last 4.0 album for me. "Punch The Clock" and "Blood + Chocolate were both 3.0 with "Cruel World" a 1.0 grade. The solo material I've heard since then? 0.5-1.5 at best… with the singular exception of "The Deliveryman!" This one came out of nowhere to slay me and I actually obsessed on that one for a week or more. Naysayers [and it looks like a convention of the E.C. Naysayers club here today…] should give that one a try since I was another seriously lapsed fan who had thought he gave me nothing on disc in over 30 years after an all time great artistic arc on those first five albums; comparable to that of Simple Minds.<br /><br />I have really enjoyed EC live in those years, though. Even music you hate on disc is great from him live! Quite the paradox. That Spinning Songbook show in 2011 was worth three times the ticket price. And we saw T-Bone Burnett for a few songs onstage in Asheville since he was working in town on a soundtrack project at the time. Post-Punk Monkhttps://www.postpunkmonk.com//www.postpunkmonk.com//www.postpunkmonk.com//www.postpunkmonk.com//postpunkmonk.comnoreply@blogger.comtag:blogger.com,1999:blog-3815215641735446886.post-70939623647529484122018-02-12T16:56:27.383-05:002018-02-12T16:56:27.383-05:00By the way, the link is down Brian.By the way, the link is down Brian.The Swedehttps://www.blogger.com/profile/13237251779370596904noreply@blogger.comtag:blogger.com,1999:blog-3815215641735446886.post-48345172843702120432018-02-12T16:55:27.132-05:002018-02-12T16:55:27.132-05:00I saw The Coward Brothers at the Royal Festival Ha...I saw The Coward Brothers at the Royal Festival Hall in London. When would that have been? 1985, 1986? Crikey, that's a scarily long time ago.The Swedehttps://www.blogger.com/profile/13237251779370596904noreply@blogger.comtag:blogger.com,1999:blog-3815215641735446886.post-18660553947443110292018-02-07T14:24:25.823-05:002018-02-07T14:24:25.823-05:00JTFL, King of America is one of my favorite Costel...JTFL, King of America is one of my favorite Costello albums. In all other areas of your comment we are in agreement. The switch to Warner Brothers marked the end of an incredible run. That’s when I started describing his albums as too busy and/or too long. You should never think a hero’s album is too long. There were a few more fine moments after Blood and Chocolate but they could be counted on fingers. Tough to believe we are talking about 30 years of mediocrity. Wow!Brianhttps://www.blogger.com/profile/04321051045499549249noreply@blogger.comtag:blogger.com,1999:blog-3815215641735446886.post-61693388304782429192018-02-07T13:41:48.503-05:002018-02-07T13:41:48.503-05:00One of my very favorite EC tunes. I know it's...One of my very favorite EC tunes. I know it's sacrilege but, if we were over at JC's place, I'd quietly suggest that this was the beginning of 'lost it' phase for Elvis after having it for so long. I know I'm in the minority about King of America, which I think had its moments but has a lot of forgettable songs. I remain a big fan of Blood & Chocolate but...my two cents is it's EC's Last Great Album. He did a lot of interesting things afterwards but none that compare to his Attractions period. That's not to say his post-Attractions stuff isn't 10 times better than what everyone else ass doing. Just an admission that if I'm listening to Elvis, which I do all the time, 99 times out of 100 it was released between '77 and '87.JTFLnoreply@blogger.com